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N.1/2024 Come si pensa il corpo? Filosofia, teatro, rappresentazione

Eugenio Barba e la non univocità del senso drammaturgico
fra azione reale e coerenza

Leonardo Mancini

Published in June, 2024

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Eugenio Barba and the Non-Uniqueness of Dramaturgical Meaning between Real Action and Coherence

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Abstract

The essay proposes an investigation into Eugenio Barba’s conception of
dramaturgy, focusing on the notions of montage, quest for meaning and rhythm,
coherence and contrast in action, and the integration of text and subtext. To this
end, Barba’s positions on directing as a regulatory function of dramaturgy are
analysed through his writings and productions from various phases of his career.
Barba abandons a logocentric dimension of representation, reinstating the primacy of the actor’s presence; nevertheless, Barba exhibits a profound interest in
literary sources and their creative reuse, an area he has dialectically cultivated
over the years through fruitful collaboration with various authors and literary
consultants.

Keywords

Eugenio Barba, dramaturgy, rhythm, pre-expressive, Thomas Bredsdorff

DOI

10.53129/gcsi_01-2024-06

G.C.S.I. - Giornale Critico di Storia delle Idee
Rivista internazionale di filosofia

Direzione Editoriale:
Andrea Tagliapietra e Sebastiano Ghisu

Direttore Responsabile:
Giovanni Campus

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Autorizzazione del Tribunale di Sassari n.455 del 14/7/2008 - ISSN 2035-732X  ISSN(cartaceo) 2240-7995

Credits:

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